angela

My friend Angela called me again today. She’s called every day for the past six or seven months, sometimes twice a day. She rarely leaves a message. I use the word ‘friend’ loosely, since I don’t know Angela’s last name or even what she looks like. I do know where she works though. Angela is a collections agent with Capital One.

Now you all know Capital One.The company that gives credit cards to people who can’t get credit cards because their credit sucks? Their catchphrase is “What’s in your wallet?” (what’s in my wallet? NOTHING! that’s why i need your credit card!)…anyhoo, you’d think they’d know how unlikely it is that the kind of person who actually need a Capital One card would ever have enough money to pay them back, but Angela believes in me.

You would also think that a 21st century financial company would have the technological savvy to understand cell phones and caller ID. Considering the number of companies to whom I owe money, I tend to not answer calls if the number starts with 800 or 888.  See, none of my friends have toll-free numbers. But here’s Cap One, thinking ‘Maybe this time he’ll pick up. He’s probably just busy figuring out how to pay us back.’ I can picture the supervisor saying”Angela–try him again–he’s gonna be home eventually.” As if after five hundred calls, I’m gonna pick up the phone and say “Ok, how much do I owe you Got it. I’ll send it out today.” I really should answer it one of these days, just for fun.

“Hello? Oh–hey Angie. Yeah, I guess you’ve been trying to get a hold of me for a while now. Sorry, I’ve just been really swamped. No, no it’s not you. It’s me. I just feel like you’re pressuring me. ? Ang, if this is about the money, I gotta tell ya–I just don’t have it. I know, I know. I let you down. Anyway, look–I gotta run. But call me anytime. Yeah, you can call me tomorrow. I may not be able to pick up, but just leave a message”

But my dear Angela never leaves a message. She has her friends do that. I particularly like the British chick that calls to say she’s from ‘Alliance Solutions’ (a collection agency) and would “really appreciate’ a call back. She always sounds upbeat in that kicky, Euro way, sorta like Emma Peel from the Avengers. And who wouldn’t want to call her back? I mean, she’s offering solutions. And she’s from…an alliance.

Actually last week, I accidentally answered. I didn’t have my glasses on, thought the ten digit number was a friend in Seattle calling, and I answered. It was my girl Angela. She didn’t sound very happy with me. She finally gets the chance to talk to me, and she takes this tone with me. All scolding, and judgemental. The conversation taught me one lesson: I would be a crappy spy, as I tried to pretend that I was my own roommate.

“Is this Michael?” “Uh, who’s calling for him?” “This is Angela.” “Uh, this is his roommate–let me see if he’s here…–no, sorry, he’s out.” “Do you know when he’ll be back?” At this point, Angie’s already on to me, but plays along like an expert criminal profiler. “No, sorry, he’s not very good at communicating (what?)–can I give him a message?” “It’s a personal matter.” Now for some reason, i continue the charade. “Well can I tell him what it’s about?” At this point, she’s done playing games. “Why would I tell you if you’re just his roommate? And I think I’m actually talking to Michael Dane.” I had no idea what to do. Hands sweating. Head spinning. Then, my masterful comeback. “No, this is…his roommate.” Her response? “Are you sure you’re not Michael Dane?” Atthis point I’m not sure of anything. Realizing she’s seen through my clever subterfuge, I decide there’s only one thing I can do. I hang up. She hasn’t called me in over a week, and I miss her.

Category: COMEDY | LEAVE A COMMENT

you can’t teach that

For the first time in a while, I’ll be teaching again this week. Before you start congratulating me for re-entering this most noble of professions, it’s not like I’ll be teaching about the towering figures in modern literature, or advances in higher mathematics, or, really anything with practical value. I teach stand-up comedy.

There are some problems with this as a way to make money. First, I’m not sure why anyone would take a stand-up comedy class, since the stand-up ‘boom’ ended in the early 1990s. It seems rather like studying to be an apothecary, or a harpsichord repairman. Yeah, there are still comedy clubs, and a few hundred dive bars that might have a ‘comedy night’ in which they move the karaoke machine out of the way for an hour and a half (“You guys have to be done by 9:30, because the Metallica tribute band needs to set up”).

But it’s not like it was in the eighties, when every town with a sewer system offered a place to perform in front of a faux brick wall to an audience of drunk twenty-somethings. Sadly, the golden days of stand-up ended when it got over-exposed on TV and—sorry, I almost turned into an old vaudevillian bemoaning how radio killed his career.

More to the point, although I’ve taught comedy classes in the past (even taught ‘advanced stand-up’—and what the hell is that? Really complicated jokes? Longer…segues?), I’ve never been convinced you can actually teach stand-up comedy.

I think you can teach someone how to hold a microphone, and you can teach some tricks about putting jokes in a certain order (‘Don’t end your set with a joke about abortion,’ or ‘Don’t open by mentioning the Holocaust’), but you cannot teach someone to be funny. You need to bring funny with you to the first class.

However, I guess there will always be people lured by the prospect of a fifty-dollar Thursday gig in Dickinson, North Dakota, and for these brave souls, I offer four two-hour sessions, culminating in a three-minute performance at one of the local chuckle joints. The real problem is that if you want to be a comic, you should be at a comedy club, not in a classroom. You should be showing up at open mics trying out your shit in front of an audience (I’m really not selling my class very well—must learn how to market myself better.)

See, comedy’s different than other forms of ‘art,’ say, violin playing. You would never hear a violinist at Orchestra Hall say “This is something I’m just kinda trying out—it’s new–not sure if it’s gonna be any good.” But with standup, the ONLY way to know if something is funny is to say it in front of an audience—you can’t practice it in front of a mirror or say it into a tape recorder (are there still tape recorders? must update references…).

So the demographic that would sit at home and think “I want a more theoretical approach to the whole comedy thing, and I want to learn in an environment that’s entirely unlike any place comedy might actually happen” are people who, by and large, aren’t toting a lot of funny around with them. They’re taking my class for the same reason they might take a class in bungee jumping, or macramé—something they always thought about trying, because it could be fun.

In my experience, there are certain types of people who take Introduction to Stand-up Comedy.

  • The Frat Boy Type: believes he’s funny because he can make his ‘bros’ laugh at a kegger by doing a drunk impression of his boss followed by armpit farts—sadly, this doesn’t always translate in front of a real crowd
  • The Cubicle Guy: wants to try something different to shake up his nine-to-five life, but prior performing experience limited to emceeing the raffle at the company picnic, during which he attempted part of a Bill Cosby routine
  • The Hipster: watches too much Comedy Central, thinks he could do comedy because ‘they’re just saying a bunch of random shit anyway’
  • The Saucy Mom: has read a lot of Erma Bombeck, and now that kids have moved out, finally is trying what she ‘always wanted to do,’ but mostly wants to say inappropriate things and swear a lot
  • The Comedy Writer: has none of the personality required to be a performer, but has a chapbook filled with wacky ideas, most of which are only funny to him
  • The Toastmaster: Unclear on the distinction between public speaking and stand-up; would ideally prefer to read from note cards at a podium (tells people what he’s going to tell them, then tells them, then tells them what he’s told them)

Another challenge in teaching the ‘rules’ of comedy is that almost by definition, comedy is about seeming like you’re breaking the rules—saying those very things that you’ve been trained to suppress since fourth grade when you were sent home with a note saying ‘cuts up in class—always disrupting lessons with jokes.’

Of course, there will always be the stand-up student who simply wants to be like whoever the hot comic is at the moment, and I essentially have to beat that out of them so they find their own comic voice, and so the world isn’t overrun with clones of Dane Cook. But every so often, I come across students with a spark, that ineffable flair that makes you want to listen to whatever they feel like talking about.

It’s what my beatnik friend Eugene used to call ‘the thang.’ And though I try my damndest to give every student the tools they need to pull a few laughs out of increasingly jaded audiences, it’s that one in twenty, the one who has that ‘thang,’ who makes me want to teach comedy. Just don’t expect me to teach you to be funny.

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apocalypse whenever

As hopeful as I am in this post-Osama world, the cynic in me always is ready for things to go kerflooey on a global scale. And when things get real scary, like most people, I think about starting my own religious cult. I’ve obviously got the leadership thing down, having been captain of my high-school debate team. If you’re not inclined to join my cult, maybe you’ll want to start your own, and in the that spirit, I’ve put together some tips to make your cult as successful as possible.

  • Pick a date for the end of the world. Avoid the beginning of any century–be creative. Who’s to say the world won’t end on March 30th, 2012? Or tie your personal vision to an astronomic event–comets have been done to death, but what about the next asteroid shower?
  • Get as many people to agree with you as possible–ideally, you should have at least twenty followers–otherwise it’s really more of a club than a cult.
  • Choose a spiritual name for your followers to call you. You will have more luck drawing adherents if you avoid really American-sounding names like ‘Greg.’ Also avoid names which are difficult for your followers to pronounce, like Azhgtilsksh.
  • When the ‘end times’ come, remember–you don’t have to kill yourself just because your followers do.
  • If you have a regular job, quit. In addition to the long hours involved with starting a cult, you lose some credibility if you have to miss a vigil or a sacrifice because you’re ’stuck at work for another hour.’
  • Convince your followers to have sex with you in exchange for their salvation. If they are not convinced, threaten to shoot them.
  • Good places to build your compound: the desert, the mountains, or anywhere in Idaho. Bad places: the banquet room of a Holiday Inn and your apartment.
  • Avoid telling potential converts about the killing themselves part. Wait until you get all their worldly possessions, then start dropping hints about ‘the next world.’
  • Be sure to tell your followers that when they kill themselves (see above) they will be going to a better place. Nobody will give you all their worldly possessions if you tell them you’re ‘just not sure what will happen when this all shakes out.’
  • Don’t tell people you’re God. Acceptable substitutes–Vessel of God, Messenger of Truth, Most Eminent Visionary. Bad choices–Smart Guy, Man Who Is Better Than Others, Guy Who Tells People To Kill Themselves.
  • Find corporate sponsorship. With more cult startups expected than ever before, competition for lost souls will be intense. If you could be known as The Nike Cult of The Impending End Times, you’ll have a better shot at getting new members.
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