where good jokes go to die
The title of this post makes it look like my show in Buffalo didn’t go well, and that’s not really true. I got as much out of a Rotary Cub as any comedian could have. But MY GOD WAS IT A LOT OF WORK! First, to get to Buffalo, you drive west from Minneapolis (which is an actual city) about 45 minutes, past the suburbs, past all signs of civilization, until you see the lights of a town. That town isn’t Buffalo. You keep driving.
Interestingly enough, for the 20 or so miles before you get to Buffalo, there are no signs along the freeway saying ‘Buffalo–20 miles” or “Buffalo–next exit” or…anything. The only signs you see tell you to watch your speed, because you certainly wouldn’t want to get to Buffalo too quickly. Also on that stretch of freeway, they’ve painted white dots in the middle of the road, with signs saying “2 dots equals 3 seconds.” So you keep driving and counting dots until you see the Menard’s, take a right, and there it is–the Buffalo Civic Center. However, whereas ‘civic center’ implies a rather grand structure, where…big events might happen, this place looks like an aircraft hangar built on top of a high-school gymnasium. An old gymnasium with god-awful fake ‘turf’ duct-taped to the floor. Guess my ‘comeback’ had to start somewhere.
This was the Buffalo Rotary Club’s yearly fundraiser, during which they raffle off a new car. Now one of the fundamental rules of comedy, along with “Always Be Nice To The Guy Paying You” and “Don’t Make Fun Of The Girlfriend Of The Guy Paying You” is ‘Never Follow A Raffle.” See, everyone is there trying to win something, and when you go on, they realize you’re not giving away any prizes. You never want you introduction to start with the phrase ‘and don’t forget we still have a comedian.’
The three hundred or so people who didn’t win a new car dejectedly head for their own car (I mean it was almost ten o’clock in Minnesota after all) and I’m left with fifty or so people, who thanks a prime rib dinner and an open bar are either drunk or napping. The head guy of the Rotary Club then spends five minutes trying to get the drunk people quiet enough to hear my show, and to get them really pumped, gives me this introduction:
“Alright, so we’ve got a guy here from Chicago to entertain you. Here’s Michael Dane.”
The ‘audience’ is seated at gigantic round tables, thereby making sure that two-thirds of them aren’t actually facing the ’stage’, which is not really a stage but a three-inch high riser made of unfinished plywood. I start off playing with the crowd a little, and I had been given some notes on a few of the notables in the group to riff on. Unfortunately, none of the people for whom I had notes were still there. So I play with some people at the front tables, and I see a woman with big frizzy hair, and suggest that she was “the victim of a tragic home-perm accident.” Not brilliant, but the kind of line that loosens up the crowd before I get into my material. Well this crowd wasn’t too clear on the notion that comics…make shit up. No real grasp of sarcasm. So, a woman next to the frizzy-haired woman felt compelled to yell in the middle of my next joke “that’s natural–that’s her real hair!” I clearly had entered some sort of bizarre Literal Land, so I decided to just get to the act.
Although a core group in the crowd was clearly digging my routine, I spent much of my contractually-obligated hour essentially babysitting. Apropos of nothing I would be talking about, someone would announce loudly “I’m getting a drink–anyone need anything?” or “I gotta take a piss.” If I turned to the right, the people on the left would start talking. If I turned to the left, a canasta game would break out on the right. On every other joke, if I didn’t yell the punchline, they seemed unable to tell that it was the end of a joke, and their cue to laugh. And, since it was an room full of Minnesotans, when they did laugh, wasn’t able to tell. The innate Lutheran-ness of Minnesotans doesn’t exactly lead to boisterous response.
It was also the whitest group of people assembled outside of the Republican National Convention. The only person of color in the auditorium was the black security guard. Not even sure why he was there–Rotary Club events don’t tend to draw your rabble-rousers and troublemakers, even when they have an open bar.
I pushed through, though, eventually got to most of my actual jokes, and at the end, quite a few people said the had a great time (again, not that I could tell they had fun). Did my political stuff, did my pot stuff, even did my bisexual stuff (now I know why the security guard was there). Afterwards, I went to the open bar, had a gin and tonic in a plastic cup, got my money in cash, and headed out of Buffalo. Showbiz, baby!

There’s nothing worse than the Extremely Literal Drunk Gal. She’s the same one that will disagree with your premise before you get a chance to deliver the punch line.
This, by the way, is not to be confused with the Extremely Literary Drunk Gal, who is the same one as Zelda Fitzgerald.
Matt
8 Sep 08 at 7:28 pm
Oh, and I love the new layout. It really does improve the flow.
Matt
8 Sep 08 at 7:28 pm
mattt, is it? i don’t know if you’ve ever done stand-up, but the worst is not extremely drunk gal, or even extremely literary drunk gal, but rather….the worst….the fucking emcee who is either the club owner, or is owed something by the club owner…and he doesn’t respect stand-up, except that he’s getting cokes and chicks because of it…and don;t get me started on his relatives….
daddyo
9 Sep 08 at 12:06 am
md, I am so sick of you glamorizing stand-up. Can we get some realism, please?
Chris
9 Sep 08 at 1:27 pm
you think he’s glamorizing stand-up, you should hear the way he talks about cabaret singers…oy., it aint pretty, and there are no prisoners except for this one dude michael likes…likes to sing van morrison.
daddyo
9 Sep 08 at 11:28 pm
daddyo, I have to disagree with you. A bad emcee, while a horrible element in any show, is usually out of the picture pretty quickly. Extremely Literal Drunk Gal is forever.
Matt
10 Sep 08 at 8:53 am
matt, true you are there, but the remedy is so simple. as i have done, and I think Mister comedy has done, just scream “fuck you” at her, using every possible intonation, for ten minutes; as i found out, even if she doesn’t leave, the audience will usually hate her or you, and then we’re back to fifty fifty which is easy to build back up to having the audience dig you. but this isn’t about me, is it? sorry, mister comedy.
daddyo
11 Sep 08 at 6:09 pm