i’m your boogie man

Lately, it seems my mind is set on ‘shuffle.’ Which would be fine, if it were like iTunes and all the ‘tracks’ playing in my head were actually favorites. But no, my current playlist consists of:

“(I’m Too Old) To Find A Job”

“My Hip Hurts”

and, for some inexplicable reason,

“Boogie Oogie Oogie”

I realize only that last one is a real song, and that’s too bad. Incidentally, “Boogie Oogie Oogie” represents one of the three lowest points in Grammy Award history

1. (1979)—A Taste of Honey (of ‘Boogie Oogie Oogie’ fame) is awarded the Best New Artist Grammy—also nominated that year? Elvis Costello.

2. (1989)—Jethro Tull is given the award for ‘Best Heavy Metal Album,’ because nothing represents pure Satanic evil and teen rage like a forty-two year old guy standing on one foot playing the freaking flute.

3. (2009)—Violating all the laws of God and man, the Jonas Brothers are allowed to perform with Stevie Wonder.

I thought of all this because I don’t just wake up with a song in my head—no, I’m so ADD I get entire setlists stuck in my head, and this morning I woke up thinking of all the songs I could remember with the word ‘boogie’ in the title (in case you’re curious: ‘Boogie Shoes,’ ‘Boogie Nights,’ ‘Boogie Fever,’ ‘Boogie Wonderland,’ ‘Boogie On Reggae Woman,’ ‘Jungle Boogie’ and ‘Blame It On The Boogie.’

Now I understand that these aren’t the deepest musical sentiments ever expressed, and it has been a few years since I put on my ‘my my my my MY boogie shoes,’ but I think these records actually point to something profound (WARNING! CRACKPOT THEORY AHEAD).

Follow my logic here. All of the above boogie-centric songs charted between 1974 and 1979, and though my late teen years had their share of global issues and hotspots, I don’t remember ever, for instance, worrying about a worldwide economic collapse or crypto-Islamic terrorists. You wanna know what I remember from the news in the seventies? Lines at gas stations were long.

My point is, there have always been bad scary things in the world, but now fear is an inextricable part of the cultural fabric, and I believe this may be because nobody is writing songs about the boogie anymore. Or boogieing (sp?), or other boogie related behavior.

All I’m saying is that when disco was a part of the musical landscape, we weren’t involved in two wars. Coincidence??? I’ll even go so far as to say that disco was a great cultural equalizer, because almost everyone looked stupid dancing to it.

There was a popular t-shirt when I was in college that said “Fuck art–let’s dance.” I’d like to expand that sentiment to “Fuck politics—let’s dance.” Because when I read about a Christine O’Donnell, or a Glenn Beck, sometimes I think maybe they just need a little boogie in their sad, tightly-wound, attention-starved lives.

So much of what passes for discourse and debate today is just anger dressed up in a suit. Maybe if the Tea Partiers would swap their Revolutionary War garb for a white polyester outfit and just dance a little–blow off some steam–maybe after that, both sides could get together and talk about the issues like adults.

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i blame the music

Nostalgia for Woodstock always leaves me cold. Born in 1960, I was nine at the time. Now in 2018, however, although there won’t be an outdoor music festival to commemorate, there will be the fortieth anniversary of me turning eighteen.

I think we are shaped as people by three things—our genetic makeup, the environment in which were raised, and the pop music of our adolescence. Granted, I can’t prove the last part of the theory, but in retrospect, I probably learned most of what I know about life, and love, from the songs that were popular as I was taking my tentative first steps into manhood. In further retrospect, I probably should have dated more in high school.

The musical landscape in 1978, like at any time, was a reaction to the zeitgeist. It was the year of Ted Bundy and the Hillside Strangler and the year Son of Sam was sentenced. The year of Jonestown, and John Wayne Gacy. Rhodesia attacked Zambia, and Vietnam attacked Cambodia. It was the year Garfield debuted. As a reaction to all of these horrific events, record buyers wanted something comfortable, something they understood in a world turned topsy-turvy.

Popular music in 1978 was, for the most part, soft and mushy, because the real world was hard. Sure, you had the Camp David accord (which worked out really well—thank God that led to lasting peace.) But all in all, things were kinda scary. And the last thing Americans wanted was angry music. We wanted songs about love. (Note: I did not live in a cave—I’m aware that punk music existed, but the soundtrack to Saturday Night Fever sold fifteen million copies…I’m just sayin’.)

When I turned 18, five of the top ten songs on the charts were either performed, written or produced by some combination of Bee Gees. Whether it was Barry, Maurice, Robin, or Andy, fully half of the top ten songs in the country were sung in a quavery falsetto. To this day, I can’t walk down a street in Brooklyn carrying a paint can without hearing the faint harmonies of the brothers Gibb and the incessant mind-numbing rhythm of 103 beats per minute. It’s a damned good thing I don’t live in Brooklyn, or paint.

I’ve figured out that my lack of romantic success is directly related to  the soundtrack to my coming of age. Without any siblings to consult for advice, I had to rely on the radio to understand dating, and I took the lyrics of the songs to heart. Except the lyrics to Steely Dan songs. I still have no idea what the fuck they were talking about.

In the following story, I reunite with an old flame after reconnecting on Facebook. But there’s a catch! Everything I say to her includes the title of a song that was on Billboard Magazine’s Top 100 chart in 1978, in order, starting with number one.

 “All I know is that too much Shadow Dancing will lead to Night Fever. You Light Up My Life, but I’m just barely Stayin’ Alive. I’d like to Kiss You All Over, just to find out How Deep Is Your Love. Wait! Baby Come Back. I know I said Love Is Thicker Than Water, but maybe we could just, I don’t know, Boogie Oogie Oogie? No? Oh I get it – you’re too good for that now that you’re Three Times A Lady.”

 “When I try to figure out why Grease is the word, I Go Crazy. But You’re The One That I Want—and I say that with a lot of Emotion. Now…Lay Down, Sally. I’m kidding! Of course I know you’re name isn’t Sally. I just Miss You, and I want you to know I love you Just The Way You Are.”

 “I was thinking that With A Little Luck we could work it out, but If I Can’t Have You, I guess I’ll just Dance, Dance, Dance (Yowsah, Yowsah, Yowsah). That’s it—Feels So Good. Maybe I should ask that girl to dance…she looks like a Hot Child In The City. I just have to remember—Love Is Like Oxygen, and It’s A Heartache. But me–along with my buddies here—you know, We Are The Champions. We Will Rock You.”

 “Of course, when I walk along Baker Street, I realize I Can’t Smile Without You, but I suppose it’s Too Much, Too Little, Too Late. How about you just Dance With Me? C’mon, Two Out Of Three Ain’t Bad. My friends Jack And Jill both think you should Take A Chance On Me, but I’m not so sure, because Sometimes When We Touch, it feels like our Last Dance.”

 “I gotta tell you, I am Hopelessly Devoted To You. I’m Hot Blooded (check it and see)…You’re In My Heart, and The Closer I Get To You, I realize that all we are is Dust In The Wind. Or we’re like a Magnet and Steel or…something.”

 “By the way, I have nothing against Short People. In fact, a short person Use Ta Be My Girl. I know I’m not making sense herer, it’s just—Our Love…well, let’s just say Love Will Find A Way. And I’m talking about An Everlasting Love, especially since Love Is In The Air. I could be wrong, though—don’t leave–oh, well—Goodbye Girl.”

 I had felt her Slip Slidin’ Away for some time, so maybe I just need to get into the Groove Line, whatever that is. Or take a trip to Thunder Island with an Imaginary Lover. Realistically though, it’s Still The Same situation—me thinking about My Angel Baby. Frankly, I could walk past a Disco Inferno right there On Broadway, and if she were to ask me to Come Sail Away I would be Back In Love Again.

 This Time I’m In It For Love, and I ‘ll just come right out and tell her “You Belong To Me.” Oh my god—I can’t believe it—”Here You Come Again! I thought you were moving to Blue Bayou, Peg (that’s her name—it’s Peg, not Sally!), but apparently You Needed Me. Yeah, sometimes I feel a little Shame when I start Reminiscing, especially since I said you could Count On Me. Baby Hold On—”

 “Hey, Deanie—I wanted to ask you about those Summer Nights.  I’m sorry—What’s Your Name? Sorry, thought it was Deanie. Anyway, I’m here with Sally—er, Peg, so I gotta go.  Talk to you later.”

 “Hey—watch this—this is cool–when I start to think about you, Don’t It Make My Brown Eyes Blue? Don’t it? Because The Night does strange things to a man.” You’re leaving again. Well, fine. I guess it takes Every Kinda People. “Well, at least we’ll have the Copacabana—Always And Forever, You And I. And, of course, the tragic memories of that Serpentine Fire. I know you remember that, because you always were a Sentimental Lady.”

 “I will not be Falling again any time soon. Don’t Let Me Be Misunderstood—I am Bluer than Blue, but I’ve been Running On Empty here, and it seems like Whenever I Call You ‘Friend‘, you just say “You’re a Fool (If You Think It’s Over). That really doesn’t help– I just want to Get Off with a Sweet Talkin’ Woman. How am I doing? Well, Life’s Been Good, and you know me, I Love The Nightlife, but–hey, you’re changing the subject–You Can’t Turn Me Off (In The Middle of Turning Me On).”

 “It’s So Easy for you. You’re a Native New Yorker. You should probably go, but…here, take this Flashlight, and whatever you do, Don’t Look Back. I’m serious—you’ll Turn To Stone. Take my umbrella, too, because I Can’t Stand The Rain. Now go…don’t look at me with those Ebony Eyes. Don’t cry—leaving is The Name Of The Game. We’re All Alone now. Just remember those Hollywood Nights.” They call Alabama the Crimson Tide—call me Deacon Blues.

 Questions for Discussion

  1. Did the serpentine fire CAUSE the disco inferno?
  2. If love is thicker than water, how can it also be like oxygen?
  3. If you’re ‘bluer than blue,’ doesn’t that make you…indigo?
  4. If you date someone who is ‘three times a lady,’ are you actually cheating on two of them?
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i like my listening easy

Jokes might be my stock in trade, but music is my passion. In fact, if I’d realized how much music means to me years ago, I might have tried to make a living at it (because if the comedy business has been inconsistent, unfair and unpredictable, leading to a struggling, hand-to-mouth existence, at least music would have been—wait…never mind).

My musical experience is as eclectic as it is unspectacular. Played clarinet for eight years—made All-State Honor Band (33rd chair, but hey, California’s a big state!). Been in a couple of musicals in which I didn’t dance because…I can’t dance. Done a bit of cabaret singing (you’d particularly enjoy my intimate arrangement of Meat Loaf’s “Two Out of Three Ain’t Bad”). Can read music and find middle C on a piano.

Growing up, my musical touchstones were vigorously bland. Mom was a HUGE Andy Williams fan—I remember sitting with her at the kitchen table with the radio covering RFK’s funeral, and Andy Williams singing “Battle Hymn of the Republic.” And at Christmas—my god, how many Christmas songs are there? He sang all of them—for years I thought he wrote ‘O Holy Night’ because it was the only version I’d ever heard.

Me, I was discovering a whole new generation of music—forget Andy, it was now the early seventies, and I was digging…the Carpenters. Mock them if you will, even though Richard is one of the greatest vocal arrangers in history and Karen had the voice of a bittersweet angel. Yes, they recorded a lot of tracks that were the audio equivalent of oatmeal, but watch some of their vids on youtube. They were sincere. And I’ll take sincere schmaltz over feigned rage any day.

First record I bought—Carole King, ‘So Far Away.’ Which became one of the biggest hits at my junior high-school radio station, KPRV. In eighth grade, our school started a five-watt radio station, and I was the on-air talent (yes kids, there was a time when schools had money, and that money went to the arts, and…). We also played the shit out of “Just You ‘N Me’ by Chicago. And strangely enough, the B-side of Elton John’s ‘Goodbye Yellow Brick Road,’ a song called ‘Young Man’s Blues’ which was distinguished by the lyric ‘screw you.’ Repeated a lot. We were such rebels.

When I got to college, I started going to church. Now to recap, I converted to Judaism years ago, after  the Jesus thing. But I recently realized that when I was going to church, it wasn’t out of any religious discipline, but because of church choir. I got to sing every week! And it’s pretty hard to get kicked out of a church choir. So I’ve done your ‘Ave Maria’s, even your ‘O Holy Night ’s (sorry, Andy). After converting, I discovered I wasn’t the only Jew who loved gospel music. Seriously, Jewish composers—try a major key!

Lately I’ve been dabbling in cabaret, which is an interesting genre. With a few exceptions, the venues are essentially piano bars, where at an open mic night, you sign up for two songs and someone plays piano for you.  Now, take great songs with witty lyrics, add simple acoustic accompaniment, and put them in a tiny space filled with drunk tourists sitting five feet away and seventeen other singers who want your stage time.

I actually started singing show tunes at these open mics before I ever got my queer card. Before I identified as ‘bisexual,’ I used to be a regular at the piano bar at the Gay 90s in Minneapolis, believing that I just REALLY liked the music of Stephen Sondheim.

As much as I love music, I haven’t seen many concerts, because I never seem to have a hundred bucks to see either 1) a band who’s only done two songs I’ve heard and the rest of the concert consists of their J.R.R. Tolkein-inspired concept rock opera in its entirety or 2) a band that I loved as a kid performing less-authentic-than-karaoke cover versions of the songs I loved as a kid. With different guys.

Saw Jackson Browne at the State Fair, and during his sound check, these burly goons were sitting on the lip of the stage staring down the crowd. Lookin’ for someone to start shit. Seiously? At a Jackson Browne concert?! What, were they afraid a rowdy global warming rally would break out? Really harshed everyone’s vibe.

I peed next to jazz legend Dizzy Gillespie. Middle of one tune, I have to go, and figure I’ll just discretely scoot up the aisle. And then Dizzy Gillespie stops his band. In the middle of the song. He points me out and embarrasses me into sitting back down until intermission. Finally able to relieve myself, I notice that to my right was one of the greatest jazz trumpeters in history. Can’t really ask for an autograph in that situation.

Best concert experience ever—the Ramones, 1978. Now to set the scene, in 1978 I had yet to shed my nerd chrysalis. But—I knew that I should be into punk music. It’s like when I pulled my only prank in high school, not organically, out of a deep-seated resentment of authority, but because I thought I should pull a prank in high school.

Anyway, I didn’t have any punk clothing per se, so I wrapped my bicycle lock around my waist as a belt. In your face, people who wear normal belts! So I get to the concert venue, and the bouncer tells me I have to take off my bicycle-chain-belt. Apparently worried I would stage-dive and injure someone by hitting them with my belly.

Well, in the spirit of punk, I decided to take a stand right there. If he wasn’t going to let me in, I was damn well gonna go back to my dorm room, get the key, take off the chain, walk back to the concert and ask the nice man to let me in. And it was a great concert—all visceral and palpable, nothing but two-and-a-half minute songs followed by “1 – 2 – 3 – 4!” Kinda scared me. Did it change me? Maybe—when I got back to my room I put on a Dan Fogelberg album, but I skipped the ballads.

I have 3,382 songs on my computer, and not all of them are what you would call ‘lite rock.’ In fact, there are recordings I love in every style from opera to gangsta rap (sadly, I know of no ‘gangsta opera,’ but that would be cool!). I will say, I still have a taste for music that’s not so…angry. I admit it–I like happy songs. I like pretty songs. In a world of environmental devastation, crushing poverty, and genocide, sometimes I want my music to offer a little contrast. Something happy…and pretty. With harmonies.And maybe a little gospel feel.

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